Movie Reviews

'Sheep in the Box': A pointless, sweet story of grief, robots - review

The film explores how a couple, grieving the loss of their young son who was killed in an accident two years before, decide to adopt an AI robot programmed to mimic their child.

‘SHEEP IN THE BOX’ is about how a couple, grieving the loss of their young son who was killed in an accident two years before, decide to adopt an AI robot programmed to mimic their child.
FROM LEFT: Vojtech Vodochodský, Stanislav Majer, and Tatiana Pauhofová in ‘Waves.’

‘Waves’ captures thrill and tragedy of resistance at Prague radio station in ’68 - review

JEREMY STRONG (left) and Bill Burr in ‘The Social Reckoning.’

'The Social Reckoning': Aaron Sorkin exposes Facebook's dark side in gripping sequel - review

ALTHOUGH SET after World War II, ‘Orphan’ references the war in nearly every disconsolate frame, and captures the melancholy of trying to pick up the pieces after a tragedy of such a grand scale.

‘Orphan,’ the new film by László Nemes, tells a bleak story of a Jewish boy in 1950s Budapest


What to watch this week: Gal Gadot buoyant in an otherwise sinking ship in 'In the Hand of Dante'

TV Time: To quote Nick from an early scene, “You look at anything long enough, you see what’s wrong with it.” You will see what’s wrong with In the Hand of Dante in a very short time, sadly.

A SCENE from ‘In the Hand of Dante.’

‘Sentimental Value’ is a beautiful drama of redemption in a show-biz family - review

Unquestionably the best-acted movie this year, 'Sentimental Value' is a character-driven, complex story about the drama of an extremely dysfunctional show-business family.

STELLAN SKARSGARD (left) and Renate Reinsve in Sentimental Value.

Jessica Lange sparkles in newest film, ‘The Great Lillian Hall’ - review

Jessica Lange breathes life into a story about a Broadway diva who, months into rehearsals for a revival of Anton Chekhov’s The Cherry Orchard, discovers she is struggling with dementia.

Jessica Lange is marvelous as an aging actress who discovers she has dementia in ‘The Great Lillian Hall.’

Luc Besson's ‘June and John’ bogged down by clichés - review

The new film is a throwback to the days when eccentric female protagonists were called “kooky.”

SCENE FROM 'June and John'.

‘The Devil Wears Prada 2’: Israel rolls out red carpet as Tel Aviv hosts early premiere

Israel rolls out the red carpet for highly anticipated fashion romp ahead of US release, as celebrities and creatives return to the spotlight weeks after war.

REUNITED AND IT FEELS so red (from L): Emily Blunt (Emily Charlton); Anne Hathaway (Andy Sachs); and Stanley Tucci (Nigel Kipling) attend ‘The Devil Wears Prada 2’ world premiere at New York City’s Lincoln Center, April 20.

Movie theaters reopening across the country, just in time for Passover vacation - review

The theaters are operating  with the approval of the Home Front Command, which mandates that there must be protection nearby for everyone.

RYAN GOSLING in Project Hail Mary.

Miriam on screen: Great films depicting biblical trailblazers to watch during Passover

Miriam’s legacy as a defiant artist is rarely center stage in the great biblical epics, but her spirit lives on in cinema’s most modern heroines.

EXODUS: GODS AND KINGS (2014) Pictured: Christian Bale as Moses.

'Fantasy Life,' rife with Jewish-American comedy, turns anxiety into an offbeat love story

Fantasy Life is anything but pat, and although I enjoyed the movie when I saw it in Haifa, I found it even funnier and more interesting when I re-watched it on a computer link.

MATTHEW SHEAR and Amanda Peet in ‘Fantasy Life.’

‘Maigret and the Dead Lover’: Bringing French detective back to big screen - review

For those who enjoyed the books, the movie will bring them back to the atmosphere of the police headquarters on the Quai des Orfevres. 

DENIS PODALYDÈS plays author Georges Simenon’s distinguished inspector Maigret in ‘Maigret and the Dead Lover’

Israeli architects honor Lebanese soldiers in new feature film ‘Monument’ - review

A powerful true story about Israel and Lebanon shines through despite some uneven dialogue.

Joseph Mazzello (second from left) and Jon Voight (second from right) in ‘Monument.’