Film review

Camille Cottin elevates French family drama 'Out of Love' as it opens in Israeli theaters - review

Out of Love presents a soothing universe where things fall into place in the end, perhaps a little more neatly than they do anywhere but in a TV-style movie.

‘Out of Love’ presents a soothing universe where things fall into place in the end.
‘SHEEP IN THE BOX’ is about how a couple, grieving the loss of their young son who was killed in an accident two years before, decide to adopt an AI robot programmed to mimic their child.

'Sheep in the Box': A pointless, sweet story of grief, robots - review

Daniel Gimpel, as the young religious festival-goer, is one of the standouts in a fine ensemble in ‘Our Loves.’

Avi Nesher's ‘Our Loves’ turns tragedy into immersive cinema - review

FROM LEFT: Vojtech Vodochodský, Stanislav Majer, and Tatiana Pauhofová in ‘Waves.’

‘Waves’ captures thrill and tragedy of resistance at Prague radio station in ’68 - review


New French film is fleeting fun - review

While the two leads don’t have much chemistry together, perhaps this is part of the director’s design. They do, however, have a warm rapport.

'Diary of a Fleeting Affair.'

'Love Life': A story of loss and love - review

Love Life isn’t an easy film to watch, because much of it is simply so deeply sad, but it is moving and doesn’t go for neat resolutions.

 A SCENE from ‘Love Life.’

Iranian director speaks on Iranian torturers behind Haifa Cinematheque

"How can we touch his conscience and make him see that he is a monster?” He hopes that My Worst Enemy is a first step to doing just that. 

 IRANIAN DIRECTOR Mehran Tamadon at the Haifa International Film Festival

Woody Allen's Coup de Chance only excels at being eye candy - film review

Coup de Chance is so lackluster that it’s almost as if someone fed an AI program the command: Write a script in French about an adulterous affair that inspires violent jealousy, set in Paris.

 LOU DE LAAGE and Niels Schneider in Woody Allen’s ‘Coup de Chance.’

Koshashvili looks at a Georgian family in Israel - review

The movie was also notable for the fact that it didn’t go for some kind of cheap, love-conquers-all conclusion.

 A SCENE FROM Dover Koshashvili ‘The Giants of Easter Island.’